Resetting the StageCommercial theater is thriving across Europe and the UK, while public theater has suffered under changing patterns of cultural consumptionas well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theater to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly