Joseph Beuys--ManresaThe first performances by Joseph Beuys were a radical turning point for twentieth century art. Beuys saw art as a transformative action that is both personal and communal, and his expanded artistic practice engaged spirituality, personal mythology, political structures, and symbolic materials. For Manresa, one of his legendary performance actions, which took place on December 15, 1966 in Dsseldorf, he collaborated with the Danish artists Henning