More than Night"Film noir" evokes memories of stylish, cynical, black and white movies from the 1940s and '50s melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. James Naremore's prize winning book discusses these pictures, but also shows that the central term is more complex and paradoxical than we realize. It treats noir as a term in criticism, as an expression of artistic modernism, as a symptom of Hollywood censorship and