Gaylen GerberThe exhibition of Gerber's work at The Renaissance Society in 1992 marked the culmination of a ten year period in which Gerber persistently painted the same opaque, monochromatic still life over and over, in a bold artistic assertion that seeing is not believing but simply perceiving. This catalog is the first monograph publication of Gerber's work, and documents the artist's installations of these paintings at various international exhibitions,
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