Fragment, Image, and Absence in 1960s Japan:This groundbreaking book examines how the notion of "the object" was transformed in Japanese experimental art during a time of rapid social, economic, and environmental change. Reviving the legacies of the historical avant garde, Japanese artists and intellectuals of the 1960s formulated an aesthetics of disaffection through which they sought to address the stalemate of political and aesthetic representation. Ignacio A. Adriasola Munoz draws from