Niki de Saint Phalle in the 1960sA timely reassessment of the artists early performances and feminist sculptures, affirming their radical engagements and art historical significance This volume is a focused look at two bodies of work, the Tirs (shooting paintings) and Nanas (dames), in the experimental 1960s practice of the French American artist Niki de Saint Phalle (19302002). Alongside a poetic response to the work, four essays treat Saint Phalles oeuvre as works of radical