The Music Diva SpectacleDivas and the praxis of camp in relation to queer audiences. In this original new work, Constantine Chatzipapatheodoridis pulls back the curtain on the production of camp as a queer praxis that constantly feeds the diva queer culture relationship. By examining the iconography and theatrics of the diva tour show, the author presents a performance studies reading of camp and the culture sharing process of production and audience reception. Detailed case